
Opening on 25th Spetember.
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Inspired by Kintsugi (金継ぎ), the traditional Japanese art of repairing broken pottery with lacquer mixed with powdered gold, this philosophy embraces imperfections rather than hiding them. It highlights the cracks as a testament to the object’s history and beauty.
Our lives are woven, moment by moment, like thread into form. Woven captures the quiet complexity of what we carry and what we remember. A silver memory. A layered truth.
Talon is stripped to its essence. Bold cuts, curved lines, no ornamentation. It’s designed to feel elemental, like something shaped by survival. Architecture meets animal grace.
Named after the ancient resin, Myrrh is gold that feels found, not made. It moves as if shaped by time. Worn and warm, it feels sacred and sensual. Myrrh speaks to quiet change. Slow, lasting, lived.
A first stroke. A confident mark. Draft looks like a shape still forming, unfinished on purpose. It’s about progress, not perfection.
Relic feels unearthed, not designed, like something sacred from a world lost between memory and myth. Sapphire holds the hush of night. Still. Deep. Watchful. Topaz carries the breath of day. Bright. Open. Alive. The gold is softly matte, as if weathered by time and touched by fire. Its surface bears gentle cracks, not flaws, but fragments of a history half-remembered.
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